The rare, succulent crabmeat, picked out of the shell, packed, sealed, refrigerated, jealously hoarded, is like the fragile essence of a person’s being, which the journalist makes away with and turns into some horrid mess of his own while the subject sleeps.
Janet Malcolm, The Journalist and the Murderer. Random House, 1990.
(Notes on) Panic & Plentitude
--Castiglia and Castronovo, A "Hive of Subtlety": Aesthetics and the End(s) of Cultural Criticism